With a practice that embraces both research and the active use of archives, Manuela Nebuloni structures her investigation of Ghana as a process of learning and inquiry. Since 2020, she has been working on the construction of a physical archive of postcards and ephemera from the sixties as a tool for critically reflecting on the present, with a particular interest in amateur artistic production as a space for experimentation. She is the founder and a member of Postbox Ghana, a project exploring collective memory through material culture.